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THUS SPAKE PSILOCYBIN

by The Ophelias

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1.
FEARLESS PLOW You say the hill's too steep to climb, Chiding. You say you'd like to see me try, Climbing. You choose the day and I'll choose the time, And I'll climb that hill in my own way... And every day is the right day... And as we float above the people and the clouds You look down, hear the sound of the things we said today. You wanna get to heaven let me tell ya how: Just keep your hand on the gospel plow. Keep your hand on the plow, hold on! Hold on! You say the hill's too steep to climb, Chiding. Merciless, the magistrate turned 'round, Frowning. And who's the fool who wears the crown? I'll climb that hill in my own way. Every day is the right day. As we float above the people and the clouds You look down, hear the sound of the things we said today. Mary had a golden chain, Every link spelled my Jesus' name. Keep your hand on the plow, hold on! Hold on! Keep your hand on the plow, hold on. Hold on! Hold on! Keep your hand on the plow. Hold on! Hold on. Hold on, hold on, hold on, hold on, hold on, hold on.
2.
Come in! Glad I could be of some help. Remember reading Hamlet, Kevin? No, Shakespeare, not Jack Fiennes. Anyway, Hamlet Act IV, scene vii, Ophelia drowns in a river surrounded by wild flowers. That makes her the godmother of psychedelia according to a band from, where else? San Francisco. In tribute they named themselves The Ophelias, and their third album - "The Big O" - is a coupling of highbrow, psycho-sensual lyrics, and music flirting from garage rock to new age and back again...
3.
4.
I WILL DIE IN YOUR POCKET Sweet William sweats on a stem, His eyes upon a pond. Why must we die all the time Even when we are like swans? Dodge citadel and land in Lethe’s lap. Just picture lilies nap… Why must we die all the time Even when we are like whores? Sweet William sweats on a stem, His eyes upon a pond (Ponder the situation.) Why must we knock all the time Even when we are like doors? Why must we knock all the time Even when we are like whores? Why must we die all the time Even when we are like swans?
5.
MIDSUMMER NIGHT'S SCENE Petals and flowers… In the park, getting dark, eating the heat. There’s an eye in the sky, melting your feet. You see a chick who starts to nick the petals and flowers. She starts to joke and then provoke the Dance of the Hours. It’s all down to a midsummernight’s scene. It’s all down to a Shakespearean dream. In her face there’s a place disfigured with love. Her hands are white like a night encased in a glove. She watches you and starts to choke in petals and flowers. She starts to joke and then provoke the Dance of the Hours. It’s all down to a midsummernight’s scene. It’s all down to a Shakespearean dream...
6.
PANURGE Come O comely daughter, willingly to water the flower that is opening inside my head. Nectar or your sunshine slips into my mainline. Give us this day our daily bread. Due to our genetics two is copacetic, one can only get so high. The earth is in your rhythm. Feel the synergism! Parch, and liquefy. Virtue and the vice prez bicker over hairshirts towards accord that would never jell. I see Barbara Eden able-bodied semen in the wishing well. Your fetching pale complexion flushed with my injection. We were always meant to fly! The past is prone to dozing with its petals closing, waving us bye-bye…
7.
OL' VIC Long ago life was clean. Sex was bad, called obscene. And the rich were so mean. Stately homes for the lords. Croquet lawns, village greens, Victoria was my Queen...
8.
IN A NUTSHELL [instrumental]
9.
MISTER RABBIT Hear, hear, Mister Rabbit! I wanna talk to you. Mister Rabbit, Mister Rabbit, Your ears are mighty long! Yes bless god they're put on wrong. Ev'ry little soul must shine, shine. Ev'ry little soul must shine, shine. Mister Rabbit, Mister Rabbit, Your coat! It's mighty gray! Yes bless god it's made that way. Ev'ry little soul must shine, shine. Ev'ry little soul must shine, shine. Mister Rabbit, Mister Rabbit, Your ears are mighty thin! They're might thin! They're mighty thin na na nah! Yes bless god they're splittin' the wind. Ev'ry little soul must shine, shine. Ev'ry little soul must shine, shine. Mister Rabbit, Mister Rabbit, Your eyes are mighty red! Yes bless god I'm almost dead. Ev'ry little soul must shine, shine. Ev'ry little soul must shine, shine. Ev'ry little soul must shine, shine. Ev'ry little soul must shine, shine. Are ya diggin' it?!!!
10.
GLORY HOG There’s a terrible likeness between the head that’s in the vice and they that turn the screws, That those who sit in satin zones and drink the fat off rat infested homes will use. And if you think you understand the gist of this I’ll wonder what it was I missed. It’s just a silly riddled rhyme that bears some thin relation to a kind of mind. I’m back from the in-between! I’ve gotta tell you all that I’ve seen! You know, the grass here is just as green! We’ve got the money and the people to do it! Our market ain’t those with the power to eschew it, yeah! Mister Sisyphus called today to say he’s finally on his way. He had a slight delay. He should be rolling into town with an ample granite planet sample right at sundown. In my glass office tower high and mighty I can swivel round and touch the sky. I hope he’s got the dope! I need my Easter Island franchise project galaxy-wide. I’m back from the in-between! I’ve gotta tell you all that I’ve seen! You know, the grass here is just as green! We’ve got the money and the people to do it! Our market ain’t those with the power to eschew it, yeah!
11.
THE HANGED MAN III (lyrics to version 3) Wend Easter legs upon us all You’ll find ourselves in Richard Hall, The garment puffing with a saint On top you’re underneath the paint. The new year was a minah doll. You farted at Thee Christmas Ball! Between the brownies and champagne I swore you’d ruin my udder tame. Can you not swing here with the tide? Do you not show? Do you not hide? The sea’s sequential, don’t you see? I’m swinging from the hanging tree. But as I’m hanging by my foot I am alive, and this is good. You think my world is upsidedown, But still the sun and moon are round. Fa fa fa fa fa fa fa fa… Very soon a lucky tour de mile Bleeding visions there must cope. That score, that stile, that Templar fair! I rode to the barnhouse dance. We swung we swayed our pelvis it obeyed And you will have my daily child. Atomic roi you raise ‘em tall, New eyes see the shoulder bare. And then he’s grown a shoulder to the man, A shoulder to the man. He stooped and plucked a single seed You’ll put in his pocket then. I shall go and plant it in the hay, And plant it in the hay. And when it did start to mortify it I’ll punch to reform this lake. And there a match threw galleon on the sea, A galleon on the sea.
12.
THE UNDISCOVERED COUNTRY MATTERS Go remove them all away We were singing like a date It went down on topic covered looming… Hell… It was over by the lake He went down the water gate Crossed the stile to the everlasting chamber. Comin’ up the road this crooked man Went down the olden way While the ships give off the traveler has a questions. O from which way come do you? Is this no way to speak to Your Honour or a holder of a banquet? Won’t you sit and have a brew? Why your all the lovers who Pass a Tuesday; they’re all packed up for the long haul. So we sat and talked of this Over pale ale morning mist Like a wagon broken down onto the valley. Wet and willis dew Like the rain that gave a chill. Are we taken through a mire and miasma? Where do you go? Where, where, where will you go? Like a tyrant on the day whereas you move you’ve like a morning was a weight become a waning gale all waiting for the now. Where do you like a lover off to bed without an iron all night airtight worm. He wants it for all lives that you’ve been taken. Like he’ll sell it on a lie ‘bout your wasting you a time on top a wilting we can Christmas in the dark. Are we waiting for a time When a mystic like a mic Drew awaiting for a person with a mo bone. [solo] Where do you like a lover go to bed will tie his hair back. Do you like it all to Tigris where it’s slipping in the sea Writing to Ali with a meaning falling fast! O alive! You were waiting for the bliss but you dig yourself a blister. Y’Dupe! Knight day seeker lord, REPENT! YES! What the hell was that?
13.
THE SIBYL I fixed the guitar an eye-pin, She was scaled in harmony, Being, Swinging, Singing, Dealing Niagra time!
14.
CLODHOPPER BOP [instrumental]
15.
BARDOTHÖDROL Hamlet pulled a colossal face to him on the tasty spiked booze. Throw light to all this, call it forward in a char yard. Seems like a flower takes the taste always. Then was pax, babe, all heart. In the distance More blue horizon melting past you. Eyes like a deep bulb all awake in your ring, Your ring! You’re the crazy colored rays! Get down and get funky! So we did chirpled around outside your wall In the crack between the light was awakening I saw between their wards in an upper window like your copper scent had melted down On top of the old below there was a note, in the note you said you would not be home But we were all along more than it left it for me got bodily on top of it By the powers I left on the casement and slide down the banister we crept into your nodder room Out a garage door was the word slightly in a white Saab-Ferrari on a top floor meet. We unloaded all our instrument racks from the top of the van that you had borrowed from dad. While you whirl, woah, we were into the case before we noticed there all wrong on a toll board road Yes the license plate matched our own and the state trooper said we could leave on our faces. I saw your messing way hadn’t arrived on the tooty-fruity four two five. Still on your “adoptive” we registered a man so no violence, not permitted. Went towards the county line swords with their Mounty. We could see the gin sop screw. True, through a black door on the floor lie mamas in a pool hall an’ warped in space I always knew it when the gun would bring our locked van would be in your fist And a eye could see when we were all liking life lives would be flashing in a purple and blue. Like you when the cars went screaming on the sidewalks God! We never lie, chance for you! Terry von Blankers, everybody! Terry von Blankers, Ladies ‘n’… Terry? Can I get an A harmonic from you? I haven’t tuned at all. Oh, shit…
16.
THE NIGHT OF HALLOWEEN The owls are a-hootin’ and the bats take their flight, ‘Cause it’s time to be spooky, that’s Halloween night. I was passing a graveyard by an old haunted house Where the witches were stirring their brew, But all I could hear was the squeak of a mouse And the tumbling winds that blew. Up in the tree by the light of that bluish moon, An owl sits whistling the spookiest tune. Along a fence a cat did crawl with his back arched way up high. It was funny to see his outline all across the dark blue sky. Most of the trees were bare this night, And goblins were quite a sight! All of this happened on one scary night… The night of Halloween.
17.
BIRTHDAY They say it's your birthday... It's my birthday too, yeah! Said it's your birthday! We're gonna have a good time! I'm glad it's your birthday! Happy Birthday to you! Yes we're going to a party, party. Yes we're going to a party, party. Yes we're going to a party, party. Yes we're going to a party, party. Birthday! I would like you to dance! Birthday! Take a cha-cha-cha-chance! Birthday! I would like you to dance! Birthdaaaaaaaaaaaaaaaay!!!! I would like you to dance! Birthday! Take a cha-cha-cha-chance! Birthday! I would like you to dance! Birthdaaaaaaaaaaaaaaaay!!!! You say it's your birthday... It's my birthday too, yeah! Say it's your birthday! Gonna have a good time! I'm glad it's your birthday! Happy Birthday to youuuu!
18.
LIVING UNDER The radio you clutch is drowned by the sirens wailing. This is it! This is it, and the family is helter skelter. Your running down the steps that lead to your private shelter, But it won’t do you any good. The radio announced that the nuclear dawn has arrived. The radio announced that you’ve twenty-three minutes alive. The radio announced that only undergrounders survive. The radio you clutch is drowned by the sirens wailing This is it! This is it, and the family is helter skelter. Your running down the steps that lead to your private shelter. But it won’t do you any good. The radio you clutch is drowned by the sirens wailing. This is it! This is it, and the family is helter skelter. Your running down the steps that lead to your private shelter, But it won’t do you any good. The radio announced that the nuclear dawn has arrived. The radio announced that you’ve twenty-three minutes alive. The radio announced that only undergrounders survive.
19.
PLASTER OF PARIS ... in an emotional maze. Circus came crashing with the smell of esprit, And time is a floppy disc wobbling haywire at me. Plaster of Paris, how white your hair is! Plaster of Paris, how white is your hair! O wheel of Ferris, so high in the air! Plaster of Paris, how white your hair is! I am rounding the calendar, A fleeting retreating blur. I am sounding the tenterhook, Played on a brassy horn! Plaster of Paris... Plaster of Paris, how white is your hair! O wheel of Ferris, so high in the air! Plaster of Paris, how white your hair is! Switchbacks and cul-de-sacs are the rule of the day. You have to punch air-holes just to keep you in play. And obiter dicta can confuse your resolve If you don’t watch how the grandads of alabaster revolve. Plaster of Paris, how white your hair is! Plaster of Paris, how white is your hair! O wheel of Ferris, so high in the air! Plaster of Paris, how white your hair is! White your hair! I am rounding the calendar, A fleeting retreating blur. *I am sounding the tenterhook, Played on a brassy horn! *An excellent alternative for this line would be "My name is David Arthur Immerglück!"
20.
WHEN WINTER COMES So where you bound? I’m mountain bound Eyes on the ground I can’t turn around Can’t turn around. My dogs and me My flock of sheep We’ll climb up high Before we sleep Before we sleep. The stars have spilled Upon those hills The air is clean The grass is green The grass is green. Go tell Marie I play for her I sing for her Beneath the fir Beneath the fur. I sing to sleep My flock of sheep My words to her The moon will keep The moon will keep. Go tell Marie To think of me When she does see The apple tree The apple tree. Go tell Marie To think of me When she does taste Those apples sweet Those apples sweet. If it’s a boy If it’s a girl In wintertime I’ll see our child I’ll rock our child. The trees will change The air will chill I’ll think of you I’ll love you still I’ll love you still. The wind will chase My flock of sheep My dogs and me To your embrace And your pretty face! Long nights for love We’ll lay as one We’ll rock our child When winter comes When winter comes.
21.
THE OPHELIAS DROP BY THE LIBRARY That cat's something I can't explain!...

about

"Cathartic," Geoff intones, and he's right on the ball. The outpouring of uninhibited creative energy can be exactly that, and The Ophelias revelled in it -- a wonderful, freewheeling spirit that was sadly both their triumph and their downfall during their tenure in the San Francisco scene. The common wisdom among magicians is that you should never do the same trick twice, and this seems to have very nearly been The Ophelias' philosophy, with any two of their tracks laid side-by-side hardly being recognizable as the work of the same band. Of course, this was not born of any calculated strategy, but rather from the band's continual desire to push forward and outward (in utter disregard of the bafflement it must have caused to label A&R men and radio programmers alike).

This continual experimentation is laid particularly bare in the band's late-1987 Barrington Hall rehearsal tapes (from which many of these tracks were drawn), which depict a band in motion, spiraling around in a musical dance, coming upon flashes of brilliance, and then never playing them again as they move ever onward. Thankfully, a combination of design and happy accident has preserved some of these bright flashes for us to hear today. Inevitably, the magic of the moment can only be captured fractionally in an audio recording, but if you close your eyes, you can still be transported.

...what's that? Pavement being fronted by a drunken/stoned Carlos Santana? Or is it Dave Davies joining a neighborhood bar band? Maybe a lost Zeppelin jam... no, that can't be it. So, what then?

A dream. A trance. A half-forgotten memory. What was that song we just played? I don't recall. Let's roll the tape back and start again.

credits

released May 16, 2021

ALL TRACKS PREVIOUSLY UNRELEASED

Access detailed credits, lyrics, some commentary, and imagined record sleeves, through the individual tracks.

Additional production, mastering, and audio whatsit by Carl Salbacka.
Please PLAY LOUD and enjoy!

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The Ophelias San Francisco, California

The Ophelias are a psychedelic rock band formed in San Francisco in 1984.

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